Mastering for Electronic Music

Tag: technique

  • Reverb Timing

    Timing is what often makes the difference between professional and amateurish sounding material. Timing the reverbs is part of this but easily overlooked.

    Time the pre-delay, early reflections and reverb tail to support the rhythm of your track. What I like to do is first make the reverb really loud and solo that together with the rhythm tracks. Then start adjusting. Utilize envelope controls (if any) to take things further.

    Remember – good timing doesn’t mean everything has to be 100% tight and spot on. It’s better to go with what feels right.

    With the right timing your reverbs will contribute to the overall groove of the track instead of taking away from it.

  • Mixing for Vinyl: Don’t Fall for These Traps

    If your track comes in from the vinyl press sounding like shit, what would be your first reaction? Bad mastering, right? Wrong answer geeza.. Guess what – I’m blaming it on you. Mixing for vinyl ain’t your everyday walk in the park. Looks like I’ve got a bit of explaining to do while you glimpse at the mirror.

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