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Listening to your mix in mono is a great practice that will help you point out potential pitfalls. How?

Here’s a neat trick I like to use when working with vocals. Personally I often like to leave a lot of the breathing sounds in the vocal, but this doesn’t come without problems.

Mixing vocals is a wide topic, but here’s a tidy trick that will give you a head start.

Timing is what often makes the difference between professional and amateurish sounding material. Timing the reverbs is part of this but easily overlooked. Time the pre-delay, early reflections and reverb tail to support the rhythm of your track. What I like to do is first make the reverb really loud and solo that together with…