Contemplations on the Art of Music Production

The Quest for a Signature Sound

Are you struggling with establishing and developing your musical and artistic identity? Do you want to create your own cohesive signature sound?

Introduction

This was originally going to be one big article. I wrote about 7000 words on it.

It started to get pretty heavy and I decided to go for a different format instead. I’ll publish several compact posts, each focusing on a certain angle. It should make the topic easier to digest and approach. I’m hoping it will also facilitate more discussion. In addition to wanting to share my views, I’m also writing to learn and to clarify things to myself. Everything I say is open to debate and discussion.

Feel free to leave your comments below. You may also want to join my email list to be notified when the next posts in the series are published.

Briefly, some background. I’ve been making and releasing electronic music (mainly drum&bass) since 1996. My substantial solo projects include Krii (1996-2001), Resound (2001-) and Rhytual (2018-). Additionally, I’ve worked on many large collaborative projects. The most noteworthy of these are Loxy & Resound, The Levels, Module Eight and I.L.R. Studios. Bottom line: I’ve seen many different musical identities grow and develop throughout my career.

This topic was selected for me to write about by a vote in my Patreon community. Patreon is a platform that allows you to support your favorite creators and take part in their process. In return, you get different benefits. Having your support on Patreon allows me to focus more of my time on this blog. You can check out the many benefits I’m offering to my patrons on my Patreon page here.

The premise: Don’t Despair

Due to developments in technology in the past decades, there are now more people making and releasing music than ever before. This means an unprecedented flow of music of all kinds competing for our attention. It’s the most difficult time in history to stand out. Wait, is it really?

Think about the number of copycats and generic music out there. It’s obvious that many people either simply don’t care about sounding original or are having difficulties in finding their own voice.

Here’s the thing. The struggle to find your own voice and develop it has always been there. It is a natural part of being an artist. You have to accept that challenge and embrace the struggle. There is no other way.

There’s no reason to despair though.

Why do I think so?

First of all, because what you’re looking for is already inside you. All people are naturally unique and creative. You just need to nurture those aspects of yourself by studying and working on your craft. Do that consistently and you’ll see your creativity grow and bloom into something special. Become a craftsman. Let me reiterate: It is only a matter of consistent work.

Second, there is always room for more good things in this world. As long as what you’re creating is worth other people’s attention, you have nothing to worry about. Talking in business terms, if a market is saturated then it means there is a proven audience. That’s a good thing. There are people out there waiting to hear and experience your own unique approach.

In the next post, we’ll talk more about the concept of originality. Meanwhile, feel free to leave your comments below.

Book recommendation: So Good They Can’t Ignore You by Cal Newport (affiliate link).


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8 responses to “The Quest for a Signature Sound”

  1. Nicolas Camargo Avatar

    I’ve been producing for 10 years (and following your blog for a while now aswell, much respect!), and what i found about getting a Signature Sound, is that its all about your personal preferences, your workflow and knowledge about sound design/edition. The more you learn, you start to see possibilities you didnt saw before when creating music. Also you start to see what hasnt been done yet, or been done too little (like Psytrance sound design on Drum & Bass, for example)

    1. Ilpo Kärkkäinen Avatar
      Ilpo Kärkkäinen

      Agreed. And the more your skills and experience grow, the more able you will be to express your inherited artistic qualities in more intricate and interesting ways.

      The first posts in this series are more about foundational mindset stuff, but later I will go to things like tools, techniques and the workflow/process itself also.

  2. Lionel Cardoso Avatar
    Lionel Cardoso

    Recommended reading to find your voice : “Steal like an artist” from Austin Kleon.

    1. Ilpo Kärkkäinen Avatar
      Ilpo Kärkkäinen

      Thanks. I have been wanting to read that. Will get to it, eventually!

  3. Human Two Avatar
    Human Two

    I’ve been struggling with this and hence been doing a lot of self-reflecting, which I already do a lot in my day to day civil life. I have gone through multiple identity crisis phases during the years making music, but even more so during past few years. I’ve seen many dead ends and fallen into the abyss of creative depression. At times it has been so had I’ve stopped making music from months to a year. I kid you not, it has never been easy and I’m confident to say I know what kind of thoughts, doubts and emotions one might go through.

    Past year have been good for me however and what is worth, I want share what has helped me the most and it’s something I wish I would have asked myself far in the past.

    Question your motive and motifs, and more importantly, ask yourself who you work for.

    My personal take is, if want to sound you, you need to be you. Whatever your goals is, when you ask those questions and think it through, it’ll bring some clarity into the mist and help you navigate through it and find what you seek.

    Ez

    1. Ilpo Kärkkäinen Avatar
      Ilpo Kärkkäinen

      Thanks for sharing your hardships and reflections. Questioning yourself to get closer to what is true, that is the hard work of an artist right there and something that sounds very familiar to me!

      Having/increasing clarity about what you are doing is very important. Personally I’m pretty clear when it comes to making music these days, but I easily lose clarity about my doings as a whole (I guess partly because I have so much going on). So beyond my normal reflection on the matter, these days I take a day or two every 6 months just to see where I’m at, see what progress I have made, what has worked and what hasn’t, and what are the big things I should be focusing on going forward. Basically schedule some time to regain that clarity where ever it may be lacking. This practice has helped me immensely in the past couple of years. I always look forward to it and feel refreshed and motivated afterwards.

  4. Andrej B Avatar
    Andrej B

    Hey Ilpo, interesting topic, thanks for focusing on it. Been thinking about this a few times in the past. Looking forward for the next posts. Big up!

    1. Ilpo Kärkkäinen Avatar
      Ilpo Kärkkäinen

      Good to hear! Feel free to drop in on the discussion in the coming posts as well. Would love to hear what everyone’s approach is to these things.

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